A countryman goes to see a spiritualist and is frightened by what he sees.

Laura returns to her childhood home following her mother's suicide. Reopening doors to her past, she awakens ghosts and confronts demons. Events take a sinister turn when her friends fear for her safety and call upon the Spiritualist.

It is the proceedings of a spiritualist séance. A table whirls around, spirits appear and disappear, and other marvelous feats savoring of the supernatural are performed.

A tour through the vaults of Pixar. WALL-E writer-director Andrew Stanton unearths a few treasures, including his sketchbook, concept art, visual gag pitches, and more, while recounting stories from several decades of his life and career.

They come in high-powered convertibles, with cameras and curiosity, to look at French Canada and French-Canadians. Their usual objective is Québec City, where they can soak up a bit of French culture without a trip to France. With an eye for humour, VISIT TO A FOREIGN COUNTRY shows the people of Québec taking a look at American tourists who have come to Québec to take a look at them.

In late 1966 I visited Stan Brakhage in Rollinsville, Colorado. This is a portrait of Stan at home, with his family, his animals, and the surroundings, 9000 feet high.

This was filmed July 1-4, 1965 in Millbrook, at the estate of Timothy Leary. It is with Baba Ramdass and house guests. Sound: me talking about humanity's lost love for mother Earth. Music: Auguste Varkalis

This piece had its world premiere as the opening film of the Hans Richter Tribute at Cinema Arsenal in the summer of 2003. The nine minutes of film are a compilation of all appearances of Hans Richter in Jonas’s films. The result is a new work, a singular contemporary document, which does not only capture Hans Richter, but shows him embedded in his environment.

A young boy is sent to spend a summer with his charismatic and eccentric grandfather on a remote Welsh farm. Expecting dull days and strict rules, the boy instead stumbles into a world of delightful chaos and imagination – where outrageous stories are spun, and a world of wonder, memory, and mischief unfolds.

在一个偏远的喜马拉雅山村，阿育王岩刻上留存着一段只有少数专家才能解读的文字残片。在几英里外的西姆拉，曾揭开帕哈里绘画起源和技法奥秘的艺术史学家V.C.奥里热情地迎接来访者。这是他与来访者的初次见面，也是最后一次。